Historiography and Theory of History |
![]() |
Iggers, Georg; Wang, Edward, Q.; Mukherjee, Supriya (2008). A Global History of Modern Historiography. London and New York: Longman, 448 pp. | |
So far histories of historiography have concentrated almost exclusively on the West. This is the first book to offer a history of modern historiography from a global perspective. Tracing the transformation of historical writings over the past two and half centuries, the book portrays the transformation of historical writings under the effect of professionalization, which served as a model not only for Western but also for much of non-Western historical studies. At the same time it critically examines the reactions in post-modern and post-colonial thought to established conceptions of scientific historiography. A main theme of the book is how historians in the non-Western world not only adopted or adapted Western ideas, but also explored different approaches rooted in their own cultures. |
![]() |
Grever, Maria; Stuurman, Siep eds. (2007). Beyond the Canon: History for the 21st Century. Palgrave Macmillan, 256 pp. | |
Governments throughout the Western world are increasingly concerned about national identity and the transmission of historical knowledge. Beyond the Canon tackles these issues and their possible effects for historical culture in a globalizing and postcolonial world. The editors have tied the various contributions together in a fascinating volume about the philosophical grounding of (de-)canonization processes and its consequences for the construction of narratives and the teaching of history in multicultural class rooms and museums. The authors reconfigure the different historical narratives and moral perspectives generated in the sometimes difficult processes of coming to terms with the pasts of Germany, South Africa and postcolonial Western nations. What happens when foundational concepts, such as the Enlightenment, the nation or gender, are subjected to critique and revision? Introducing English-speaking readers to scholars whose previous work has been in other languages, this volume is a valuable contribution to studies in International History. |
![]() |
Aurell, Jaume (2005). La escritura de la memoria: De los positivismos a los postmodernismos. Valencia: Universitat de València, 254pp. | |
La escritura de la memoria is a vibrant journey through twentieth century historiography that admirably combines the development of theory with the exposure of specific authors and works. It reviews trends that have historically dominated the discipline over the past century: the inherited positivism, the interwar historicism, hatching and the development of the Annales school; marxisms and the long post-war period associated with a history of socioeconomic status; the emergence of postmodernism and the linguistic and anthropological turns of the seventies, the crisis of the eighties; the recovery of old themes and methodologies through the new stories, the cultural turn of the nineties; and finally what the author calls the resort to third-ways, which seems to dominate the current historiographical landscape. |
![]() |
Seixas, Peter ed. (2004). Theorizing Historical Consciousness. Toronto: University of Toronto Press, 255 pp. | |
Our understanding of the past shapes our sense of the present and the future: this is historical consciousness. Historical consciousness has serious implications for international relations, reparations claims, fiscal initiatives, immigration, and indeed, almost every contentious arena of public policy, collective identity, and personal experience.While academic history, public history, and the study of collective memory are thriving enterprises, there has been only sparse investigation of historical consciousness itself, in a way that relates it to the policy questions it raises in the present. With Theorizing Historical Consciousness, Peter Seixas has brought together a diverse group of international scholars to address the problem of historical consciousness from the disciplinary perspectives of history, historiography, philosophy, collective memory, psychology, and history education. |
Historical Culture |
![]() |
Beevor, Antony (2009). D-Day. Viking, 544 pp. | |
The Normandy Landings that took place on D-Day involved by far the largest invasion fleet ever known. The scale of the undertaking was simply awesome. What followed them was some of the most cunning and ferocious fighting of the war, at times as savage as anything seen on the Eastern Front. As casualties mounted, so too did the tensions between the principal commanders on both sides. Meanwhile, French civilians caught in the middle of these battlefields or under Allied bombing endured terrible suffering. Even the joys of Liberation had their darker side. The war in northern France marked not just a generation but the whole of the post-war world, profoundly influencing relations between America and Europe. Making use of overlooked and new material from over thirty archives in half a dozen countries, D-Day is the most vivid and well-researched account yet of the battle of Normandy. As with Stalingrad and Berlin, Antony Beevor's gripping narrative conveys the true experience of war. |
![]() |
Berger, S.; Lorenz, C. eds. (2008), The Contested Nation: Ethnicity, Class, Religion and Gender in National Histories. Hampshire: Palgrave Macmillan, 544 pp. | |
How did national histories in Europe come into being and which were most successful in underpinning national identities? Who constructed the narratives of ‘the nation’ and why were they accepted, rejected or contested? How did the discourse of ‘the nation’ integrate narratives of ethnicity, race, class, religion and gender? This volume provides answers to these questions in a truly comparative and transnational way. It highlights how ideas and cultural practices travelled across national boundaries. Among others, it analyzes the formative influence of religious storylines on national narratives – like that of ‘The Promised Land’ and that of ‘Birth, Death, and Resurrection’. It explains why and how so many national histories in Europe represented other nations as their special enemies. It thus uncovers the intricate interrelationships between national histories and highlights the role their writers have played in paving the conflict-ridden and bloody road to a united Europe in the 21st Century. |
![]() |
Jerome de Groot (2008). Consuming History: Historians and Heritage in Contemporary Popular Culture. London: Routledge, 304 pp. | |
Non-academic history – ‘public history’ – is a complex, dynamic entity which impacts on the popular understanding of the past at all levels. In Consuming History, Jerome de Groot examines how society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. This book analyzes a wide range of cultural entities – from blockbuster fictional narratives and computer games to daytime television– to understand how history works in contemporary popular culture. De Groot probes how museums have responded to the heritage debate and the way in which new technologies have brought about a shift in access to history, from online gameplaying to internet genealogy. He discusses the often conflicted relationship between ‘public’ and academic history, and raises important questions about the theory and practice of history as a discipline.
|
![]() |
Smyth, J. E. (2006), Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Kentucky: University Press of Kentucky, 447 pp. | |
Reconstructing American Historical Cinema explores Hollywood's pivotal interpretations of national history during the height of the studio system. In a radical departure from traditional studies of film and history, Smyth looks at rarely discussed production records and scripts from studio archives, arguing that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her unique approach unites the study of popular and academic historical writing, historical fiction, and screenwriting, providing a rich context for the industry's commitment to American history. Reconstructing American Historical Cinema uncovers Hollywood's diverse and conflicted attitudes toward American history in narratives including nineteenth-century frontier epics, gangster biopics, and histories of silent-era Hollywood. |







